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BOB MARLEY MAKING OF A LEGEND BY ESTHER ANDERSON

ESTHER ANDERSON - ACTRESS/DIRECTOR

Esther Anderson first came to prominence in London as an actress in the 60's, starring opposite American actor Sydney Poitier in the film "A Warm December." She was also featured in the Avengers, Genghis Khan (Columbia), The Touchables (20th Century Fox) and other films.

In July 1961, Esther arrived in London where she began modeling for the artist Aubrix Rix, an illustrator for Woman's Own magazine and began studying drama at the Actor's Workshop in London. She was later offered a role in a documentary film by Jo Menell, who was a producer journalist for the television programme Panorama. They filmed part of the scenes at the Crazy Elephant club where she worked as a DJ at nights.  As a dancer, she had trained with Trinidadian Boscoe Holder, brother of late Geoffrey Holder.  She appeared with her sister as the Anderson Sisters, with The Rolling Stones, The Animals, The Walker Brothers, Sonny and Cher, Cathy McGowan and Donovan. Esther Anderson was offered a part in a film that Marty Ransohoff was making in Europe called The Sandpiper.

Esther had helped Chris Blackwell in the early days to develop the music label Island Records, selling Jamaican records with Chris Blackwell from his Mini Cooper, writing lyrics, taking stock, and promoting and managing all the Jamaican artists that went through Island Records, including Millie Small, Jimmy Cliff, and Bob Marley and the Wailers.

Esther shot iconic photographs of Marley and their collaboration help launch his international career in 1973 with the albums Catch a Fire, Burnin', and Natty Dread.

In parallel with her photography and work with Island Records, Anderson steadily developed a career as an actress. She secured roles in a number of early 1960s British television shows, including Dixon of Dock Green and The Avengers. She played roles in movies such as Henry Levin's Genghis Khan for Columbia Pictures, Robert Freeman's The Touchables for Twentieth Century Fox, Ted Kotcheff's Two Gentlemen Sharing, Jerry Lewis's One More Time for United Artists, and Sidney Poitier's A Warm December for First Artists. In this latter film, her role of an African princess won her a NAACP Image Award for Best Actress in 1973.

She helped to launch the film industry in Jamaica, acting as co-producer of the film The Harder They Come, telling the other producers and the director Perry Henzell to give the lead role to a new Jamaican talent, Jimmy Cliff, instead of to Johnny Nash. She coached Cliff for the part, partly autobiographical, and he gave a formidable performance. Anderson also organised the finance for the soundtrack, bringing in Chris Blackwell to put up the US$5,000 needed to complete the film, plus a music distribution deal.

PHOTOGRAPHY

Her photographic collection was exhibited at The Photographers' Gallery in London. She is also represented by Bill Gates' agency Corbis and the Stephen Bulger Gallery in Toronto.

Anderson continues to develop her work as a photographer and documentary maker. She has been exhibited by "La Tete Gallery" in Paris curated by Galaad Milinaire, the Photographers' Gallery in London, the Stephen Bulger Gallery in Toronto, Canada,  and in the Caribbean by Niki Michelin in Antigua. Her portraits include as subjects: Louise Bennett, Marlon Brando, Amanda Lear, Catherine Deneuve, Charles, Prince of Wales, Denzel Washington, Jacques Chirac.

FILMMAKER

As a filmmaker, Esther Anderson's first film Short Ends as an official selection at the 1976 Edinburgh Film Festival. She researched the lives of people of colour at the Library of Congress, Washington, DC, developing the idea of making films on positive role models. The first of these films, The Three Dumas (the story behind The Count of Monte Cristo), was produced in collaboration with architect Gian Godoy under the banner of Trenhorne Films (UK), a dramatised documentary about novelist Alexandre Dumas and his ancestors: the grandson of the French Marquis de la Pailleterie and an enslaved African, Dumas overcame all the obstacles of prejudice to become a role model of contemporary literature. Anderson herself portrays General Toussaint L'Ouverture, leader of the Haitian Revolution. The avant-premiere of The Three Dumas took place in 2005 in France at Villers-Cotterets, birthplace of Dumas, to coincide with the inauguration of a statue of him in the presence of the French Minister of Culture. The UK premiere took place in 2007 at the Museum of London Docklands, coinciding with the inauguration of the new Sugar and Slavery Gallery during the bicentenary commemorations of the 1807 Abolition of the Slave Trade Act. Other screenings around the world include the British Film Institute, Canadian Museum of Civilization, McCord Museum, Massachusetts Historical Society, McCormick Tribune Freedom Museum, University of Leeds, University of Nottingham, University of Birmingham, Centro Cultural Palacio La Moneda and the V&A

SYNOPSIS - BOB MARLEY & ME: THE MAKING OF A LEGEND

The second film of her trilogy, Bob Marley: The Making of a Legend, was screened as work-in-progress at the British Film Institute. Based on the footage Anderson shot in the early 1970s and lost for more than thirty years, the film is a kaleidoscopic portrait, with the narrator taking the viewer on a journey to the Caribbean islands, to Jamaica and into 56 Hope Road, Kingston, to see and hear the young Bob Marley before he was famous. While exploring the powerful relationship between Anderson and Marley, the film shows the Wailers' first rehearsal, when the idea of a Jamaican supergroup such as the Beatles or the Rolling Stones was still just a dream, and sits in on the launch of their international career with "Get Up, Stand Up", "I Shot the Sheriff", and the groundbreaking Burnin′ and Catch a Fire albums that brought together Reggae music and Rastafarian consciousness, starting a revolution that would change rock music and contemporary world culture.

This musical documentary was chosen to commemorate the 30th anniversary of Marley's passing in film festivals around the world, including: Official Selection at the Edinburgh International Film Festival 2011.  Official Selection at Jamaica's Reggae Film Festival 2011, winning a UNESCO Award Nomination.  Official Selection at the Rhode Island International Film Festival 2011.  Official Selection at the DocMiami International Film Festival 2011.  Official Selection at the Festival de Cine Documental de la Ciudad de Mexico 2011.  Official Selection at the Buffalo International Film Festival 2011. Official Selection at the Hawaii International Film Festival 2011.  Bob Marley Charity Gala New York Premiere at the Tribeca Cinemas in Manhattan sponsored by Caribbean Education Foundation  CEO Nikiki Bogle.  Official Selection at the Festival Internacional de Cine de Valdivia 2011.  Official Selection at the Hollywood Black Film Festival 2011. Official Selection at the Maryland International Film Festival 2011.  Official Selection at the Rototom Sunsplash European Reggae Festival 2011. Official Selection at the Chagrin Documentary Film Festival 2011. Nomination for Best Feature.  Official Selection at the Silicon Valley Film Festival 2011.  Official Selection at the Hawaii International Film Festival 2011.

Bob Marley: The Making of a Legend had its London premiere at the British Film Institute.

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